
Player Three
30s preview
- Key
- 5A · C minor
- BPM
- 150
- Half-time
- 75
- Open Key
- 10m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 3:05
- Released
- 2021
- Genre
- Techno
- Loudness
- -6.6 dB
- Dynamics
- 9.5 dB
- ISRC
- DEQ022151460
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Player Three is a fast techno track in C minor (5A) at 150 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Héctor Oaks's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 98% of Héctor Oaks's catalogue
- Energy:
- hotter than 88% of Héctor Oaks's catalogue
- Groove:
- less groove-driven than 87% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Player Three in?
Player Three by Héctor Oaks is in C minor, or 5A on the Camelot wheel.
What BPM is Player Three?
Player Three runs at 150 BPM, a fast track.
What mixes well with Player Three?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Player Three good for peak time?
With energy 97 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 150 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Héctor Oaks
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.