Turkish Bazar (Chris Liebing remake) by Chris Liebing cover art

Turkish Bazar (Chris Liebing remake)

Chris Liebing

30s preview

Key
10A · B minor
BPM
138
Open Key
3m
Energy
80/100
Pop
42/100
Length
8:00
Released
2024
Genre
Techno
Loudness
-8.4 dB
Dynamics
8.3 dB
ISRC
DEBE72400771

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Turkish Bazar (Chris Liebing remake): driving up-tempo techno, B minor (10A), 138 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood11Dark
Groove60
Acoustic0
Instrumental82
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Turkish Bazar (Chris Liebing remake) in?

Turkish Bazar (Chris Liebing remake) by Chris Liebing is in B minor, or 10A on the Camelot wheel.

What BPM is Turkish Bazar (Chris Liebing remake)?

Turkish Bazar (Chris Liebing remake) runs at 138 BPM, a driving up-tempo track.

What mixes well with Turkish Bazar (Chris Liebing remake)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Turkish Bazar (Chris Liebing remake) good for peak time?

With energy 80 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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