Double Split by Chris Liebing cover art

Double Split

Chris Liebing

30s preview

Key
9B · G major
BPM
140
Half-time
70
Open Key
2d
Energy
93/100
Pop
32/100
Length
6:01
Released
2026
Genre
Techno
Loudness
-7.3 dB
Dynamics
8.4 dB
ISRC
DEBE72600007

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Double Split: driving up-tempo techno, G major (9B), 140 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Chris Liebing's catalogue.

Groove:
less groove-driven than 89% of Chris Liebing's catalogue
Low end:
more treble-tilted than 81% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood19Dark
Groove48
Acoustic0
Instrumental86
Live17
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Double Split in?

Double Split by Chris Liebing is in G major, or 9B on the Camelot wheel.

What BPM is Double Split?

Double Split runs at 140 BPM, a driving up-tempo track.

What mixes well with Double Split?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Double Split good for peak time?

With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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