WERK THIS___ MAD HAWRD by Nathan Barato cover art

WERK THIS___ MAD HAWRD

Nathan Barato

Key
3A · B♭ minor
BPM
133
Open Key
8m
Energy
38/100
Pop
0/100
Length
2:24
Released
2021
Genre
Tech House
Loudness
-15.1 dB
ISRC
QZFZ52188504

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, WERK THIS___ MAD HAWRD sits in B♭ minor (3A) at 133 BPM. It reads as brooding and low-slung. The groove is strong and floor-ready. The master keeps real dynamic headroom. Calmer than 99% of Nathan Barato's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
darker than 99% of Nathan Barato's catalogue
Reach:
more underground than 99% of Nathan Barato's catalogue
Tempo:
faster than 98% of Nathan Barato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy38
Mood4Dark
Groove77
Acoustic7
Instrumental50
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is WERK THIS___ MAD HAWRD in?

WERK THIS___ MAD HAWRD by Nathan Barato is in B♭ minor, or 3A on the Camelot wheel.

What BPM is WERK THIS___ MAD HAWRD?

WERK THIS___ MAD HAWRD runs at 133 BPM, a peak-time tempo track.

What mixes well with WERK THIS___ MAD HAWRD?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is WERK THIS___ MAD HAWRD good for peak time?

With energy 38 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 133 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

#Track

More tech house

More from Nathan Barato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track