Adapt and Go 4th by Luke Slater cover art

Adapt and Go 4th

Luke Slater

Key
10A · B minor
BPM
132
Open Key
3m
Energy
43/100
Pop
23/100
Length
9:34
Released
1994
Genre
Techno
Loudness
-15.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 132 BPM in B minor (10A), Adapt and Go 4th is a peak-time tempo techno production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1994 production that still circulates in sets. Groovier than 97% of Luke Slater's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 94% of Luke Slater's catalogue
Reach:
better known than 88% of Luke Slater's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood20Dark
Groove81
Acoustic28
Instrumental93
Live11
Speech19

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Adapt and Go 4th in?

Adapt and Go 4th by Luke Slater is in B minor, or 10A on the Camelot wheel.

What BPM is Adapt and Go 4th?

Adapt and Go 4th runs at 132 BPM, a peak-time tempo track.

What mixes well with Adapt and Go 4th?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Adapt and Go 4th good for peak time?

With energy 43 out of 100 at 132 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track