How's The Music - Philly Mix
- Key
- 9B · G major
- BPM
- 130
- Open Key
- 2d
- Energy
- 42/100
- Pop
- 3/100
- Length
- 8:19
- Released
- 2021
- Album
- How's The Music
- Genre
- Acid
- Loudness
- -16.8 dB
- ISRC
- USNRS2141174
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- How's the Musicoriginal8B · 130
- How's The Music - Funky Fever Mixoriginal2B · 128
- How's The Music - Go Higher Mixoriginal11B · 129
- How's The Music - Ovum Warmth Mixoriginal4A · 132
- How's The Musicoriginal3A · 132
How's The Music - Philly Mix: peak-time tempo acid, G major (9B), 130 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 99% of Josh Wink's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Josh Wink's catalogue
- Groove:
- groovier than 96% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is How's The Music - Philly Mix in?
How's The Music - Philly Mix by Josh Wink is in G major, or 9B on the Camelot wheel.
What BPM is How's The Music - Philly Mix?
How's The Music - Philly Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with How's The Music - Philly Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is How's The Music - Philly Mix good for peak time?
With energy 42 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
