
Pan Gloss
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 71/100
- Pop
- 15/100
- Length
- 7:03
- Released
- 2023
- Genre
- Acid
- Loudness
- -11.2 dB
- Dynamics
- 12.7 dB
- ISRC
- GBDLP2301276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo acid cut, Pan Gloss sits in F minor (4A) at 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Groovier than 94% of Josh Wink's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 93% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Pan Gloss in?
Pan Gloss by Josh Wink is in F minor, or 4A on the Camelot wheel.
What BPM is Pan Gloss?
Pan Gloss runs at 125 BPM, a club-tempo track.
What mixes well with Pan Gloss?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Pan Gloss good for peak time?
With energy 71 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.