Pan Gloss by Josh Wink cover art

Pan Gloss

Josh Wink

30s preview

Key
4A · F minor
BPM
125
Open Key
9m
Energy
71/100
Pop
15/100
Length
7:03
Released
2023
Genre
Acid
Loudness
-11.2 dB
Dynamics
12.7 dB
ISRC
GBDLP2301276

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo acid cut, Pan Gloss sits in F minor (4A) at 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Groovier than 94% of Josh Wink's catalogue. In a set it works best as a floor-filler.

Reach:
better known than 93% of Josh Wink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood54Balanced
Groove82
Acoustic13
Instrumental88
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Pan Gloss in?

Pan Gloss by Josh Wink is in F minor, or 4A on the Camelot wheel.

What BPM is Pan Gloss?

Pan Gloss runs at 125 BPM, a club-tempo track.

What mixes well with Pan Gloss?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Pan Gloss good for peak time?

With energy 71 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More acid

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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