Don't Laugh Edit (Junior Vasquez)
- BPM
- 128
- Open Key
- 3d
- Energy
- 97/100
- Pop
- 40/100
- Length
- 3:27
- Released
- 1995
- Genre
- Acid
- Loudness
- -6.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Don't Laugh Edit (Junior Vasquez) runs 128 BPM in D major (10B), a peak-time tempo acid record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 1995 production that still circulates in sets. Groovier than 99% of Josh Wink's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 98% of Josh Wink's catalogue
- Energy:
- hotter than 94% of Josh Wink's catalogue
- Brightness:
- darker than 90% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Laugh Edit (Junior Vasquez) in?
Don't Laugh Edit (Junior Vasquez) by Josh Wink is in D major, or 10B on the Camelot wheel.
What BPM is Don't Laugh Edit (Junior Vasquez)?
Don't Laugh Edit (Junior Vasquez) runs at 128 BPM, a peak-time tempo track.
What mixes well with Don't Laugh Edit (Junior Vasquez)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Don't Laugh Edit (Junior Vasquez) good for peak time?
With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
