Marco (And Everyone)
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 96/100
- Pop
- 46/100
- Length
- 2:29
- Released
- 2021
- Genre
- House
- Loudness
- -6.0 dB
- ISRC
- US23A1917700
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in C minor (5A), Marco (And Everyone) is a peak-time tempo house production. It is vocal-led. Hotter than 98% of Fred again's catalogue.
- Groove:
- groovier than 85% of Fred again's catalogue
- Brightness:
- brighter than 79% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Marco (And Everyone) in?
Marco (And Everyone) by Fred again is in C minor, or 5A on the Camelot wheel.
What BPM is Marco (And Everyone)?
Marco (And Everyone) runs at 128 BPM, a peak-time tempo track.
What mixes well with Marco (And Everyone)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Marco (And Everyone) good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
