Freakin' - Updated Original
30s preview
- BPM
- 125
- Open Key
- 5d
- Energy
- 70/100
- Pop
- 6/100
- Length
- 6:56
- Released
- 2014
- Album
- Shades
- Genre
- House
- Label
- Systematic
- Loudness
- -9.7 dB
- Dynamics
- 15.1 dB
- ISRC
- DEDL81300772
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Freakin' - Originaloriginal11B · 125
- Freakin’original11B · 125
- Freakin' - Robert Babicz Remixremix2B · 125
A club-tempo house cut, Freakin' - Updated Original sits in E major (12B) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. Brighter than 81% of Marc Romboy's catalogue.
- Reach:
- better known than 76% of Marc Romboy's catalogue
- Groove:
- groovier than 75% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Freakin' - Updated Original in?
Freakin' - Updated Original by Marc Romboy is in E major, or 12B on the Camelot wheel.
What BPM is Freakin' - Updated Original?
Freakin' - Updated Original runs at 125 BPM, a club-tempo track.
What mixes well with Freakin' - Updated Original?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Freakin' - Updated Original good for peak time?
With energy 70 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 125 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
