Mama Said - iO Remix Remastered
- BPM
- 125
- Open Key
- 8m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 2010
- Album
- Mama Said
- Genre
- Tech House
- Loudness
- -11.9 dB
- ISRC
- DEH742152248
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mama Said - Remasteredoriginal8A · 125
Against the original (8A at 125 BPM), this version holds the same tempo and moves the key from 8A to 3A.
Mama Said - iO Remix Remastered is a club-tempo tech house track in B♭ minor (3A) at 125 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Alex Niggemann's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 88% of Alex Niggemann's catalogue
- Groove:
- groovier than 86% of Alex Niggemann's catalogue
- Tempo:
- faster than 77% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mama Said - iO Remix Remastered in?
Mama Said - iO Remix Remastered by Alex Niggemann is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Mama Said - iO Remix Remastered?
Mama Said - iO Remix Remastered runs at 125 BPM, a club-tempo track.
What mixes well with Mama Said - iO Remix Remastered?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Mama Said - iO Remix Remastered good for peak time?
With energy 70 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
