See You Next Tuesday - Deep MOOD
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 9:01
- Released
- 2014
- Album
- See You Next Tuesday
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 10.2 dB
- ISRC
- DEAA21400003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- See You Next Tuesdayoriginal1A · 126
- See You Next Tuesday - Black Asteroid Remixremix10A · 127
- See You Next Tuesday - Danny Tenaglia's Return to Twilo Mixoriginal3A · 123
- See You Next Tuesday - Deep Moodoriginal4B · 125
- See You Next Tuesday - Raxon Remixremix3B · 125
- See You Next Tuesday - Solardo Remixremix9B · 125
See You Next Tuesday - Deep MOOD runs 125 BPM in B♭ minor (3A), a club-tempo techno record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Carl Cox's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 92% of Carl Cox's catalogue
- Tempo:
- slower than 89% of Carl Cox's catalogue
- Energy:
- calmer than 85% of Carl Cox's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is See You Next Tuesday - Deep MOOD in?
See You Next Tuesday - Deep MOOD by Carl Cox is in B♭ minor, or 3A on the Camelot wheel.
What BPM is See You Next Tuesday - Deep MOOD?
See You Next Tuesday - Deep MOOD runs at 125 BPM, a club-tempo track.
What mixes well with See You Next Tuesday - Deep MOOD?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is See You Next Tuesday - Deep MOOD good for peak time?
With energy 70 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Carl Cox
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
