Shaka by Julian Jeweil cover art
Key
8B · C major
BPM
125
Open Key
1d
Energy
71/100
Pop
16/100
Length
5:49
Released
2015
Genre
Techno
Loudness
-7.9 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Shaka is a club-tempo techno track in C major (8B) at 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. Slower than 93% of Julian Jeweil's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 92% of Julian Jeweil's catalogue
Brightness:
brighter than 91% of Julian Jeweil's catalogue
Reach:
better known than 85% of Julian Jeweil's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood52Balanced
Groove81
Acoustic0
Instrumental91
Live16
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Shaka in?

Shaka by Julian Jeweil is in C major, or 8B on the Camelot wheel.

What BPM is Shaka?

Shaka runs at 125 BPM, a club-tempo track.

What mixes well with Shaka?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Shaka good for peak time?

With energy 71 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Julian Jeweil

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track