In Memory of Love
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 71/100
- Pop
- 19/100
- Length
- 7:12
- Released
- 2014
- Album
- Feuerfalter Part 02
- Genre
- Minimal Techno
- Label
- Harthouse Mannheim
- Loudness
- -9.7 dB
- Dynamics
- 9.4 dB
- ISRC
- DEAZ31405757
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In Memory of Love - Remasteredoriginal9A · 125
A club-tempo minimal techno cut, In Memory of Love sits in E minor (9A) at 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 76% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is In Memory of Love in?
In Memory of Love by Boris Brejcha is in E minor, or 9A on the Camelot wheel.
What BPM is In Memory of Love?
In Memory of Love runs at 125 BPM, a club-tempo track.
What mixes well with In Memory of Love?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is In Memory of Love good for peak time?
With energy 71 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More minimal techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
