Sleep Talk by Chris Lorenzo cover art

Sleep Talk

Chris Lorenzo

30s preview

Key
2B · F♯ major
BPM
125
Open Key
7d
Energy
71/100
Pop
1/100
Length
5:54
Released
2016
Genre
House
Loudness
-6.6 dB
Dynamics
13.9 dB
ISRC
GBCPZ1609735

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo house cut, Sleep Talk sits in F♯ major (2B) at 125 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. Slower than 83% of Chris Lorenzo's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 79% of Chris Lorenzo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood44Balanced
Groove86
Acoustic5
Instrumental13
Live3
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Sleep Talk in?

Sleep Talk by Chris Lorenzo is in F♯ major, or 2B on the Camelot wheel.

What BPM is Sleep Talk?

Sleep Talk runs at 125 BPM, a club-tempo track.

What mixes well with Sleep Talk?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Sleep Talk good for peak time?

With energy 71 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Chris Lorenzo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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