Seismic
- BPM
- 128
- Open Key
- 8m
- Energy
- 73/100
- Pop
- 47/100
- Length
- 3:28
- Released
- 2023
- Genre
- House
- Loudness
- -6.4 dB
- ISRC
- CA5KR2383375
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Seismic: peak-time tempo house, B♭ minor (3A), 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Less groove-driven than 98% of Chris Lorenzo's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 93% of Chris Lorenzo's catalogue
- Brightness:
- darker than 79% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Seismic in?
Seismic by Chris Lorenzo is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Seismic?
Seismic runs at 128 BPM, a peak-time tempo track.
What mixes well with Seismic?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Seismic good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
