Break the House Down by Chris Lorenzo cover art

Break the House Down

Chris Lorenzo

Key
1B · B major
BPM
130
Open Key
6d
Energy
90/100
Pop
45/100
Length
3:29
Released
2024
Genre
House
Loudness
-4.6 dB
ISRC
USBBR2400022

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo house cut, Break the House Down sits in B major (1B) at 130 BPM. The feel is bright and euphoric. The master is loud and heavily compressed. Better known than 93% of Chris Lorenzo's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 79% of Chris Lorenzo's catalogue
Energy:
hotter than 77% of Chris Lorenzo's catalogue
Groove:
groovier than 76% of Chris Lorenzo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood77Bright
Groove85
Acoustic1
Instrumental67
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Break the House Down in?

Break the House Down by Chris Lorenzo is in B major, or 1B on the Camelot wheel.

What BPM is Break the House Down?

Break the House Down runs at 130 BPM, a peak-time tempo track.

What mixes well with Break the House Down?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Break the House Down good for peak time?

With energy 90 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 130 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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