Prophecy - Amelie Lens Remix
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 74/100
- Pop
- 21/100
- Length
- 8:08
- Released
- 2016
- Album
- Loophole
- Genre
- Techno
- Loudness
- -13.0 dB
- Dynamics
- 9.2 dB
- ISRC
- DEH741646783
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Prophecyoriginal11A · 123
Against the original (11A at 123 BPM), this version runs 5 BPM faster and moves the key from 11A to 10B.
At 128 BPM in D major (10B), Prophecy - Amelie Lens Remix is a peak-time tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More bass-heavy than 78% of Mathame's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Prophecy - Amelie Lens Remix in?
Prophecy - Amelie Lens Remix by Mathame is in D major, or 10B on the Camelot wheel.
What BPM is Prophecy - Amelie Lens Remix?
Prophecy - Amelie Lens Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Prophecy - Amelie Lens Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Prophecy - Amelie Lens Remix good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Mathame
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
