Everlight by Mathame cover art

Everlight

Mathame

30s preview

Key
7A · D minor
BPM
133
Open Key
12m
Energy
87/100
Pop
57/100
Length
2:47
Released
2025
Genre
Techno
Loudness
-7.4 dB
Dynamics
17.5 dB
ISRC
NLZ542500375

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Everlight: peak-time tempo techno, D minor (7A), 133 BPM. Tonally it lands dark and driving. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). Better known than 99% of Mathame's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 93% of Mathame's catalogue
Tempo:
faster than 88% of Mathame's catalogue
Groove:
less groove-driven than 83% of Mathame's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood12Dark
Groove57
Acoustic0
Instrumental63
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Everlight in?

Everlight by Mathame is in D minor, or 7A on the Camelot wheel.

What BPM is Everlight?

Everlight runs at 133 BPM, a peak-time tempo track.

What mixes well with Everlight?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Everlight good for peak time?

With energy 87 out of 100 at 133 BPM, it works best as a peak-time weapon.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 133 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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