Too Far Gone by Spektre cover art

Too Far Gone

Spektre

30s preview

Key
8A · A minor
BPM
134
Open Key
1m
Energy
88/100
Pop
12/100
Length
4:00
Released
2023
Genre
Techno
Loudness
-8.1 dB
Dynamics
10.1 dB
ISRC
GBUR62000726

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Too Far Gone is a peak-time tempo techno track in A minor (8A) at 134 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 90% of Spektre's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 86% of Spektre's catalogue
Brightness:
brighter than 85% of Spektre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood41Balanced
Groove74
Acoustic1
Instrumental87
Live74
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Too Far Gone in?

Too Far Gone by Spektre is in A minor, or 8A on the Camelot wheel.

What BPM is Too Far Gone?

Too Far Gone runs at 134 BPM, a peak-time tempo track.

What mixes well with Too Far Gone?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Too Far Gone good for peak time?

With energy 88 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 134 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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