Orbit by Sam Paganini cover art

30s preview

Key
9A · E minor
BPM
128
Open Key
2m
Energy
74/100
Pop
15/100
Length
6:38
Released
2026
Genre
Techno
Loudness
-7.7 dB
Dynamics
22.3 dB
ISRC
ITN3C2600019

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Orbit runs 128 BPM in E minor (9A), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 22 dB). More treble-tilted than 95% of Sam Paganini's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 77% of Sam Paganini's catalogue
Reach:
better known than 77% of Sam Paganini's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood39Balanced
Groove71
Acoustic0
Instrumental91
Live4
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
25%
High
2.5-11 kHz

FAQ

What key is Orbit in?

Orbit by Sam Paganini is in E minor, or 9A on the Camelot wheel.

What BPM is Orbit?

Orbit runs at 128 BPM, a peak-time tempo track.

What mixes well with Orbit?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Orbit good for peak time?

With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Sam Paganini

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track