Caves - A&S Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2017
- Album
- Joel Mull - Caves
- Genre
- Techno
- Loudness
- -16.3 dB
- Dynamics
- 9.7 dB
- ISRC
- NLQ7Y1600004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Caves - Original Mixoriginal10B · 130
Against the original (10B at 130 BPM), this version runs 2 BPM slower and moves the key from 10B to 10A.
Caves - A&S Remix: peak-time tempo techno, B minor (10A), 128 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Joel Mull's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Caves - A&S Remix in?
Caves - A&S Remix by Joel Mull is in B minor, or 10A on the Camelot wheel.
What BPM is Caves - A&S Remix?
Caves - A&S Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Caves - A&S Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Caves - A&S Remix good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Joel Mull
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
