Circling the Sun by Amelie Lens cover art

Circling the Sun

Amelie Lens

30s preview

Key
2A · E♭ minor
BPM
128
Open Key
7m
Energy
75/100
Pop
17/100
Length
8:51
Released
2017
Genre
Techno
Loudness
-11.6 dB
Dynamics
14.9 dB
ISRC
NLCK41042016

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Circling the Sun: peak-time tempo techno, E♭ minor (2A), 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. Brighter than 97% of Amelie Lens's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 86% of Amelie Lens's catalogue
Low end:
more treble-tilted than 78% of Amelie Lens's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood66Balanced
Groove73
Acoustic0
Instrumental91
Live9
Speech6
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Circling the Sun in?

Circling the Sun by Amelie Lens is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Circling the Sun?

Circling the Sun runs at 128 BPM, a peak-time tempo track.

What mixes well with Circling the Sun?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Circling the Sun good for peak time?

With energy 75 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Amelie Lens

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track