NoButYeahButNo
- Key
- 1B · B major
- BPM
- 128
- Open Key
- 6d
- Energy
- 75/100
- Pop
- 4/100
- Length
- 6:48
- Released
- 2010
- Genre
- Techno
- Loudness
- -11.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nobutyeahbutnooriginal1B · 128
A peak-time tempo techno cut, NoButYeahButNo sits in B major (1B) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is NoButYeahButNo in?
NoButYeahButNo by Extrawelt is in B major, or 1B on the Camelot wheel.
What BPM is NoButYeahButNo?
NoButYeahButNo runs at 128 BPM, a peak-time tempo track.
What mixes well with NoButYeahButNo?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is NoButYeahButNo good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 128 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Extrawelt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
