
Gygylili
30s preview
- Key
- 4A · F minor
- BPM
- 129
- Open Key
- 9m
- Energy
- 41/100
- Pop
- 0/100
- Length
- 7:48
- Released
- 2018
- Genre
- House
- Loudness
- -11.7 dB
- Dynamics
- 15.2 dB
- ISRC
- DEG931801314
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gygylili runs 129 BPM in F minor (4A), a peak-time tempo house record. The feel is bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. More underground than 99% of Henrik Schwarz's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 97% of Henrik Schwarz's catalogue
- Brightness:
- brighter than 90% of Henrik Schwarz's catalogue
- Tempo:
- faster than 83% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Gygylili in?
Gygylili by Henrik Schwarz is in F minor, or 4A on the Camelot wheel.
What BPM is Gygylili?
Gygylili runs at 129 BPM, a peak-time tempo track.
What mixes well with Gygylili?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Gygylili good for peak time?
With energy 41 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 129 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.