
Trampelpfad
30s preview
- Key
- 9B · G major
- BPM
- 129
- Open Key
- 2d
- Energy
- 42/100
- Pop
- 13/100
- Length
- 6:34
- Released
- 2017
- Genre
- Techno
- Loudness
- -12.8 dB
- Dynamics
- 13.8 dB
- ISRC
- GBQLP1700252
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Trampelpfad is a peak-time tempo techno track in G major (9B) at 129 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Calmer than 97% of Blawan's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 95% of Blawan's catalogue
- Low end:
- more bass-heavy than 90% of Blawan's catalogue
- Groove:
- groovier than 84% of Blawan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Trampelpfad in?
Trampelpfad by Blawan is in G major, or 9B on the Camelot wheel.
What BPM is Trampelpfad?
Trampelpfad runs at 129 BPM, a peak-time tempo track.
What mixes well with Trampelpfad?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Trampelpfad good for peak time?
With energy 42 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 129 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Blawan
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.