Girl One
30s preview
- BPM
- 129
- Open Key
- 4m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 3:39
- Released
- 2004
- Album
- Restore
- Genre
- Techno
- Loudness
- -23.8 dB
- Dynamics
- 13.4 dB
- ISRC
- CAM260450023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Girl Oneoriginal11A · 129
- Girl One - Cosmic Boys Remixremix9A · 124
Girl One: peak-time tempo techno, F♯ minor (11A), 129 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2004 production that still circulates in sets. More underground than 99% of Marc Houle's catalogue.
- Low end:
- more bass-heavy than 93% of Marc Houle's catalogue
- Tempo:
- faster than 89% of Marc Houle's catalogue
- Brightness:
- darker than 86% of Marc Houle's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Girl One in?
Girl One by Marc Houle is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Girl One?
Girl One runs at 129 BPM, a peak-time tempo track.
What mixes well with Girl One?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Girl One good for peak time?
With energy 55 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Marc Houle
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
