Reverse Psychology (Submerge remix)
- BPM
- 129
- Open Key
- 4m
- Energy
- 56/100
- Pop
- 1/100
- Length
- 6:50
- Released
- 2013
- Genre
- Techno
- Loudness
- -14.3 dB
- ISRC
- QMSL31300106
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Reverse Psychology - Original Mixoriginal11A · 125
Against the original (11A at 125 BPM), this version runs 4 BPM faster in the same key.
A peak-time tempo techno cut, Reverse Psychology (Submerge remix) sits in F♯ minor (11A) at 129 BPM. It reads as dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Darker than 97% of Reinier Zonneveld's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 89% of Reinier Zonneveld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Reverse Psychology (Submerge remix) in?
Reverse Psychology (Submerge remix) by Reinier Zonneveld is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Reverse Psychology (Submerge remix)?
Reverse Psychology (Submerge remix) runs at 129 BPM, a peak-time tempo track.
What mixes well with Reverse Psychology (Submerge remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Reverse Psychology (Submerge remix) good for peak time?
With energy 56 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Reinier Zonneveld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
