What You Do With What You Have
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 25/100
- Length
- 6:33
- Released
- 2011
- Genre
- Techno
- Loudness
- -5.4 dB
- Dynamics
- 12.5 dB
- ISRC
- BEZ351100024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
What You Do With What You Have runs 128 BPM in B minor (10A), a peak-time tempo techno record. It reads as punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. Better known than 93% of Blawan's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 85% of Blawan's catalogue
- Low end:
- more treble-tilted than 80% of Blawan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is What You Do With What You Have in?
What You Do With What You Have by Blawan is in B minor, or 10A on the Camelot wheel.
What BPM is What You Do With What You Have?
What You Do With What You Have runs at 128 BPM, a peak-time tempo track.
What mixes well with What You Do With What You Have?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is What You Do With What You Have good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Don't You Want Me [edit] by Eli Brown cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/98cbdcea7411d12e32e4.webp){kind=small}
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Blawan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
