Silhouettes (I, II & III)
30s preview
- Key
- 4A · F minor
- BPM
- 135
- Open Key
- 9m
- Energy
- 49/100
- Pop
- 5/100
- Length
- 10:43
- Released
- 2015
- Genre
- Deep House
- Loudness
- -10.7 dB
- Dynamics
- 12.3 dB
- ISRC
- UKCFH1500002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Silhouettes (I, II & III) runs 135 BPM in F minor (4A), a driving up-tempo deep house record. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More bass-heavy than 84% of Floating Points's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Silhouettes (I, II & III) in?
Silhouettes (I, II & III) by Floating Points is in F minor, or 4A on the Camelot wheel.
What BPM is Silhouettes (I, II & III)?
Silhouettes (I, II & III) runs at 135 BPM, a driving up-tempo track.
What mixes well with Silhouettes (I, II & III)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Silhouettes (I, II & III) good for peak time?
With energy 49 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More deep house
More from Floating Points
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
