Falaise
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 3m
- Energy
- 40/100
- Pop
- 51/100
- Length
- 3:54
- Released
- 2019
- Album
- Crush
- Genre
- Dubstep
- Label
- Ninja Tune
- Loudness
- -14.5 dB
- Dynamics
- 18.0 dB
- ISRC
- GBCFB1900152
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Falaise: driving up-tempo dubstep, B minor (10A), 143 BPM. It reads as dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Better known than 99% of Floating Points's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 92% of Floating Points's catalogue
- Low end:
- more treble-tilted than 91% of Floating Points's catalogue
- Tempo:
- faster than 78% of Floating Points's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Falaise in?
Falaise by Floating Points is in B minor, or 10A on the Camelot wheel.
What BPM is Falaise?
Falaise runs at 143 BPM, a driving up-tempo track.
What mixes well with Falaise?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Falaise good for peak time?
With energy 40 out of 100 at 143 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 143 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More dubstep
More from Floating Points
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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