Moving Mountains
30s preview
- Key
- 9A · E minor
- BPM
- 148
- Half-time
- 74
- Open Key
- 2m
- Energy
- 61/100
- Pop
- 38/100
- Length
- 5:36
- Released
- 2015
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 14.6 dB
- ISRC
- GBUM71503639
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Moving Mountains - Live From Maida Valeoriginal8A · 145
Moving Mountains is a fast house track in E minor (9A) at 148 BPM. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Less groove-driven than 99% of Disclosure's catalogue.
- Tempo:
- faster than 94% of Disclosure's catalogue
- Low end:
- more treble-tilted than 89% of Disclosure's catalogue
- Reach:
- better known than 86% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Moving Mountains in?
Moving Mountains by Disclosure is in E minor, or 9A on the Camelot wheel.
What BPM is Moving Mountains?
Moving Mountains runs at 148 BPM, a fast track.
What mixes well with Moving Mountains?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Moving Mountains good for peak time?
With energy 61 out of 100 at 148 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 148 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 148 — beatmatch without a big tempo pull.
More house
![You & Me [Flume Remix] by Disclosure cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/29fe7148d88a9438e0ba.webp){kind=small}
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
