One More Hour - Tom VR Anthemix - Edit
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 3m
- Energy
- 70/100
- Pop
- 11/100
- Length
- 3:58
- Released
- 2024
- Album
- One More Hour (Tom VR Anthemix)
- Genre
- House
- Loudness
- -8.2 dB
- Dynamics
- 10.3 dB
- ISRC
- QMEFH2410012
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One More Houroriginal10B · 133
- One More Houroriginal10A · 145
Against the original (10B at 133 BPM), this version runs 12 BPM faster and moves the key from 10B to 10A.
One More Hour - Tom VR Anthemix - Edit: driving up-tempo house, B minor (10A), 145 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 97% of Amtrac's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 93% of Amtrac's catalogue
- Brightness:
- brighter than 77% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is One More Hour - Tom VR Anthemix - Edit in?
One More Hour - Tom VR Anthemix - Edit by Amtrac is in B minor, or 10A on the Camelot wheel.
What BPM is One More Hour - Tom VR Anthemix - Edit?
One More Hour - Tom VR Anthemix - Edit runs at 145 BPM, a driving up-tempo track.
What mixes well with One More Hour - Tom VR Anthemix - Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is One More Hour - Tom VR Anthemix - Edit good for peak time?
With energy 70 out of 100 at 145 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 145 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More house
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
