Came Along
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 7d
- Energy
- 68/100
- Pop
- 0/100
- Length
- 3:28
- Released
- 2011
- Genre
- House
- Loudness
- -13.1 dB
- Dynamics
- 15.2 dB
- ISRC
- TCABA1158246
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Came Along - Amtrac Summer Mixoriginal2B · 128
- Came Along - Amtrac’s Summer Mixoriginal2B · 128
- Came Along - Takashi Fujimori Remixremix3A · 128
- Came Alongoriginal3A · 128
- Came Alongoriginal3A · 140
A driving up-tempo house cut, Came Along sits in F♯ major (2B) at 140 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2011 production that still circulates in sets. More underground than 99% of Amtrac's catalogue.
- Tempo:
- faster than 92% of Amtrac's catalogue
- Brightness:
- brighter than 86% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Came Along in?
Came Along by Amtrac is in F♯ major, or 2B on the Camelot wheel.
What BPM is Came Along?
Came Along runs at 140 BPM, a driving up-tempo track.
What mixes well with Came Along?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Came Along good for peak time?
With energy 68 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 140 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More house
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
