Came Along
- BPM
- 128
- Open Key
- 8m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:44
- Released
- 2011
- Genre
- House
- Loudness
- -3.0 dB
- ISRC
- QMSNZ1303604
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Came Along - Amtrac Summer Mixoriginal2B · 128
- Came Along - Amtrac’s Summer Mixoriginal2B · 128
- Came Along - Takashi Fujimori Remixremix3A · 128
- Came Alongoriginal2B · 140
- Came Alongoriginal3A · 140
Came Along: peak-time tempo house, B♭ minor (3A), 128 BPM. Tonally it lands bright and euphoric. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of Amtrac's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Amtrac's catalogue
- Energy:
- hotter than 94% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Came Along in?
Came Along by Amtrac is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Came Along?
Came Along runs at 128 BPM, a peak-time tempo track.
What mixes well with Came Along?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Came Along good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
