Taxi Talk - David Löhlein Remix
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 4m
- Energy
- 79/100
- Pop
- 13/100
- Length
- 4:46
- Released
- 2023
- Album
- Taxi Talk
- Genre
- House
- Label
- Rosa
- Loudness
- -8.0 dB
- Dynamics
- 9.1 dB
- ISRC
- GBLTF2300114
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Taxi Talkoriginal10A · 121
- Taxi Talk - Sterac Electronics Remixremix9B · 122
- Taxi Talk - Urban Tribe Don't Lie To Nina Remixremix1B · 121
- Taxi Talk - Urban Tribe No Strings Remixremix1B · 121
- Taxi Talkoriginal10A · 121
Against the original (10A at 121 BPM), this version runs 22 BPM faster and moves the key from 10A to 11A.
Taxi Talk - David Löhlein Remix: driving up-tempo house, F♯ minor (11A), 143 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 88% of Nina Kraviz's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 79% of Nina Kraviz's catalogue
- Energy:
- hotter than 78% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Taxi Talk - David Löhlein Remix in?
Taxi Talk - David Löhlein Remix by Nina Kraviz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Taxi Talk - David Löhlein Remix?
Taxi Talk - David Löhlein Remix runs at 143 BPM, a driving up-tempo track.
What mixes well with Taxi Talk - David Löhlein Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Taxi Talk - David Löhlein Remix good for peak time?
With energy 79 out of 100 at 143 BPM, it works best as a floor-filler.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 143 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More house
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
