Taxi Talk
30s preview
- BPM
- 121
- Open Key
- 3m
- Energy
- 27/100
- Pop
- 0/100
- Length
- 3:44
- Released
- 2012
- Genre
- House
- Label
- Rosa
- Loudness
- -15.0 dB
- Dynamics
- 16.4 dB
- ISRC
- GBLTF1100021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Taxi Talk - David Löhlein Remixremix11A · 143
- Taxi Talkoriginal10A · 121
- Taxi Talk - Sterac Electronics Remixremix9B · 122
- Taxi Talk - Urban Tribe Don't Lie To Nina Remixremix1B · 121
- Taxi Talk - Urban Tribe No Strings Remixremix1B · 121
A club-tempo house cut, Taxi Talk sits in B minor (10A) at 121 BPM. The feel is subdued and even. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. More underground than 99% of Nina Kraviz's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 91% of Nina Kraviz's catalogue
- Groove:
- less groove-driven than 84% of Nina Kraviz's catalogue
- Brightness:
- brighter than 80% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Taxi Talk in?
Taxi Talk by Nina Kraviz is in B minor, or 10A on the Camelot wheel.
What BPM is Taxi Talk?
Taxi Talk runs at 121 BPM, a club-tempo track.
What mixes well with Taxi Talk?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Taxi Talk good for peak time?
With energy 27 out of 100 at 121 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
