3,1
30s preview
- Key
- 1B · B major
- BPM
- 120
- Open Key
- 6d
- Energy
- 29/100
- Pop
- 9/100
- Length
- 3:30
- Released
- 2017
- Album
- Musik 3
- Genre
- Tech House
- Label
- Monaberry
- Loudness
- -14.3 dB
- Dynamics
- 17.1 dB
- ISRC
- DET751700005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 3,1 (Sobek remix)remix1A · 122
A club-tempo tech house cut, 3,1 sits in B major (1B) at 120 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2017 production that still circulates in sets. Calmer than 98% of Super Flu's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 98% of Super Flu's catalogue
- Tempo:
- slower than 95% of Super Flu's catalogue
- Groove:
- less groove-driven than 76% of Super Flu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is 3,1 in?
3,1 by Super Flu is in B major, or 1B on the Camelot wheel.
What BPM is 3,1?
3,1 runs at 120 BPM, a club-tempo track.
What mixes well with 3,1?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is 3,1 good for peak time?
With energy 29 out of 100 at 120 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 120 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Super Flu
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.