2808
30s preview
- Key
- 7B · F major
- BPM
- 142
- Half-time
- 71
- Open Key
- 12d
- Energy
- 47/100
- Pop
- 0/100
- Length
- 1:53
- Released
- 2011
- Genre
- Dubstep
- Loudness
- -14.3 dB
- Dynamics
- 15.7 dB
- ISRC
- GBUM71104960
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
2808 is a driving up-tempo dubstep track in F major (7B) at 142 BPM. Tonally it lands dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2011 production that still circulates in sets. Less groove-driven than 99% of Nero's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- more underground than 99% of Nero's catalogue
- Energy:
- calmer than 95% of Nero's catalogue
- Low end:
- more treble-tilted than 81% of Nero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is 2808 in?
2808 by Nero is in F major, or 7B on the Camelot wheel.
What BPM is 2808?
2808 runs at 142 BPM, a driving up-tempo track.
What mixes well with 2808?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is 2808 good for peak time?
With energy 47 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 142 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More dubstep
More from Nero
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
