Girls We Run by Deborah de Luca cover art

Girls We Run

Deborah de Luca

Key
3A · B♭ minor
BPM
135
Open Key
8m
Energy
63/100
Pop
15/100
Length
5:29
Released
2023
Genre
Techno
Loudness
-10.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 135 BPM in B♭ minor (3A), Girls We Run is a driving up-tempo techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Groovier than 93% of Deborah de Luca's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 85% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood9Dark
Groove84
Acoustic27
Instrumental90
Live11
Speech17

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Girls We Run in?

Girls We Run by Deborah de Luca is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Girls We Run?

Girls We Run runs at 135 BPM, a driving up-tempo track.

What mixes well with Girls We Run?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Girls We Run good for peak time?

With energy 63 out of 100 at 135 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

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#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track