Tak Mungkin Berpaling
30s preview
- BPM
- 107
- Open Key
- 3d
- Energy
- 34/100
- Pop
- 52/100
- Length
- 4:55
- Released
- 2015
- Album
- Kesan Terbukti
- Genre
- House
- Label
- Johan Sound Production
- Loudness
- -11.7 dB
- Dynamics
- 13.3 dB
- ISRC
- MYUM71200062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tak Mungkin Berpaling - Liveoriginal5A · 107
Tak Mungkin Berpaling runs 107 BPM in D major (10B), a mid-tempo house record. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Better known than 98% of Slam's catalogue.
- Energy:
- calmer than 95% of Slam's catalogue
- Brightness:
- darker than 88% of Slam's catalogue
- Tempo:
- slower than 78% of Slam's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Tak Mungkin Berpaling in?
Tak Mungkin Berpaling by Slam is in D major, or 10B on the Camelot wheel.
What BPM is Tak Mungkin Berpaling?
Tak Mungkin Berpaling runs at 107 BPM, a mid-tempo track.
What mixes well with Tak Mungkin Berpaling?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Tak Mungkin Berpaling good for peak time?
With energy 34 out of 100 at 107 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 107 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 101-113 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 107 — beatmatch without a big tempo pull.
More house
More from Slam
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 107 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
