Miss You Miles Away
30s preview
- BPM
- 108
- Open Key
- 8d
- Energy
- 26/100
- Pop
- 4/100
- Length
- 6:08
- Released
- 2015
- Genre
- Ambient
- Loudness
- -25.5 dB
- Dynamics
- 15.4 dB
- ISRC
- GBEPM1401044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo ambient cut, Miss You Miles Away sits in D♭ major (3B) at 108 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. Less groove-driven than 98% of Guy J's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 97% of Guy J's catalogue
- Energy:
- calmer than 92% of Guy J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Miss You Miles Away in?
Miss You Miles Away by Guy J is in D♭ major, or 3B on the Camelot wheel.
What BPM is Miss You Miles Away?
Miss You Miles Away runs at 108 BPM, a mid-tempo track.
What mixes well with Miss You Miles Away?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Miss You Miles Away good for peak time?
With energy 26 out of 100 at 108 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 108 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More ambient
More from Guy J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
