Melt by Lee Burridge cover art

30s preview

Key
9A · E minor
BPM
109
Open Key
2m
Energy
29/100
Pop
10/100
Length
4:50
Released
2019
Genre
Deep House
Label
All Day I Dream
Loudness
-16.7 dB
Dynamics
19.9 dB
ISRC
UKSP41900080

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Melt runs 109 BPM in E minor (9A), a mid-tempo deep house record. Tonally it lands brooding and low-slung. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). Calmer than 99% of Lee Burridge's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 99% of Lee Burridge's catalogue
Brightness:
darker than 99% of Lee Burridge's catalogue
Groove:
less groove-driven than 98% of Lee Burridge's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy29
Mood4Dark
Groove48
Acoustic88
Instrumental42
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
40%
Low-mid
130-570 Hz
29%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Melt in?

Melt by Lee Burridge is in E minor, or 9A on the Camelot wheel.

What BPM is Melt?

Melt runs at 109 BPM, a mid-tempo track.

What mixes well with Melt?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Melt good for peak time?

With energy 29 out of 100 at 109 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 109 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 102-116 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 109 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 109 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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