Steps - Jeremy's Cinematic Remix
30s preview
- BPM
- 115
- Open Key
- 3d
- Energy
- 23/100
- Pop
- 4/100
- Length
- 5:53
- Released
- 2024
- Album
- Steps (Reimagined)
- Genre
- Progressive House
- Loudness
- -17.1 dB
- Dynamics
- 13.1 dB
- ISRC
- QM6N22470849
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Steps - OLING Remixremix10A · 126
- Steps - DC Salas' Sweatiest Remixremix12A · 125
- Steps (Axel Boman's Amen remix)remix12A · 126
- Steps - Kilig Remixremix9B · 134
- Steps - VRIL's Free World Order Remixremix10A · 129
- Steps - Mila Journée Remixremix11B · 126
A mid-tempo progressive house cut, Steps - Jeremy's Cinematic Remix sits in D major (10B) at 115 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of Jeremy Olander's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Jeremy Olander's catalogue
- Groove:
- less groove-driven than 94% of Jeremy Olander's catalogue
- Low end:
- more treble-tilted than 89% of Jeremy Olander's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Steps - Jeremy's Cinematic Remix in?
Steps - Jeremy's Cinematic Remix by Jeremy Olander is in D major, or 10B on the Camelot wheel.
What BPM is Steps - Jeremy's Cinematic Remix?
Steps - Jeremy's Cinematic Remix runs at 115 BPM, a mid-tempo track.
What mixes well with Steps - Jeremy's Cinematic Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Steps - Jeremy's Cinematic Remix good for peak time?
With energy 23 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 115 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More progressive house
More from Jeremy Olander
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
