October Letters - Radio Edit
- BPM
- 113
- Open Key
- 3d
- Energy
- 33/100
- Pop
- 8/100
- Length
- 3:35
- Released
- 2019
- Album
- October Letters
- Genre
- Tech House
- Loudness
- -13.5 dB
- ISRC
- DKAZ71835601
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- October Lettersoriginal10B · 113
- October Lettersoriginal10B · 113
Against the original (10B at 113 BPM), this version holds the same tempo in the same key.
October Letters - Radio Edit is a mid-tempo tech house track in D major (10B) at 113 BPM. The feel is brooding and low-slung. It is vocal-led. The master keeps real dynamic headroom. Calmer than 99% of Be Svendsen's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Be Svendsen's catalogue
- Brightness:
- darker than 96% of Be Svendsen's catalogue
- Tempo:
- slower than 78% of Be Svendsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is October Letters - Radio Edit in?
October Letters - Radio Edit by Be Svendsen is in D major, or 10B on the Camelot wheel.
What BPM is October Letters - Radio Edit?
October Letters - Radio Edit runs at 113 BPM, a mid-tempo track.
What mixes well with October Letters - Radio Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is October Letters - Radio Edit good for peak time?
With energy 33 out of 100 at 113 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 113 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More tech house
More from Be Svendsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
