For Marmish by Floating Points cover art

For Marmish

Floating Points

30s preview

Key
4A · F minor
BPM
110
Open Key
9m
Energy
32/100
Pop
0/100
Length
5:47
Released
2015
Genre
Deep House
Loudness
-18.6 dB
Dynamics
14.4 dB
ISRC
UKCFH1500006

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

For Marmish is a mid-tempo deep house track in F minor (4A) at 110 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. More underground than 99% of Floating Points's catalogue.

Low end:
more bass-heavy than 78% of Floating Points's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy32
Mood31Dark
Groove38
Acoustic84
Instrumental86
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
3%
High
2.5-11 kHz

FAQ

What key is For Marmish in?

For Marmish by Floating Points is in F minor, or 4A on the Camelot wheel.

What BPM is For Marmish?

For Marmish runs at 110 BPM, a mid-tempo track.

What mixes well with For Marmish?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is For Marmish good for peak time?

With energy 32 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 110 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

#Track

More deep house

#Track

More from Floating Points

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track