I'll Be Around - Chill Mix
30s preview
- Key
- 7A · D minor
- BPM
- 110
- Open Key
- 12m
- Energy
- 37/100
- Pop
- 23/100
- Length
- 4:12
- Released
- 2023
- Album
- Chill Mixes
- Genre
- Deep House
- Label
- Mine Recordings
- Loudness
- -10.5 dB
- Dynamics
- 12.6 dB
- ISRC
- US39N2312970
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I'll Be Around (chill mix)original9B · 120
I'll Be Around - Chill Mix runs 110 BPM in D minor (7A), a mid-tempo deep house record. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 99% of Elderbrook's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 92% of Elderbrook's catalogue
- Tempo:
- slower than 86% of Elderbrook's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is I'll Be Around - Chill Mix in?
I'll Be Around - Chill Mix by Elderbrook is in D minor, or 7A on the Camelot wheel.
What BPM is I'll Be Around - Chill Mix?
I'll Be Around - Chill Mix runs at 110 BPM, a mid-tempo track.
What mixes well with I'll Be Around - Chill Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is I'll Be Around - Chill Mix good for peak time?
With energy 37 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 110 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More deep house
More from Elderbrook
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
