Meeting With Wind - Judith Ahrends Remix
30s preview
- Key
- 8A · A minor
- BPM
- 110
- Open Key
- 1m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2023
- Album
- Ambeela (The Remixes)
- Genre
- House
- Loudness
- -11.6 dB
- Dynamics
- 14.8 dB
- ISRC
- US83Z2350333
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Meeting With Wind - Reyneke Remixremix9A · 192
- Meeting With Windoriginal9A · 152
Against the original (9A at 152 BPM), this version runs 42 BPM slower and moves the key from 9A to 8A.
A mid-tempo house cut, Meeting With Wind - Judith Ahrends Remix sits in A minor (8A) at 110 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Landhouse's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 88% of Landhouse's catalogue
- Low end:
- more treble-tilted than 82% of Landhouse's catalogue
- Brightness:
- brighter than 79% of Landhouse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Meeting With Wind - Judith Ahrends Remix in?
Meeting With Wind - Judith Ahrends Remix by Landhouse is in A minor, or 8A on the Camelot wheel.
What BPM is Meeting With Wind - Judith Ahrends Remix?
Meeting With Wind - Judith Ahrends Remix runs at 110 BPM, a mid-tempo track.
What mixes well with Meeting With Wind - Judith Ahrends Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Meeting With Wind - Judith Ahrends Remix good for peak time?
With energy 44 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 110 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More house
More from Landhouse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
