All That Falls Apart
- BPM
- 108
- Open Key
- 5m
- Energy
- 45/100
- Pop
- 11/100
- Length
- 3:15
- Released
- 2025
- Genre
- Downtempo
- Loudness
- -16.6 dB
- ISRC
- US23A8926320
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All That Falls Apartoriginal12A · 108
All That Falls Apart: mid-tempo downtempo, D♭ minor (12A), 108 BPM. The feel is dark and steady. Spoken-word passages run through it. The master keeps real dynamic headroom. Calmer than 91% of HAAi's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 89% of HAAi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is All That Falls Apart in?
All That Falls Apart by HAAi is in D♭ minor, or 12A on the Camelot wheel.
What BPM is All That Falls Apart?
All That Falls Apart runs at 108 BPM, a mid-tempo track.
What mixes well with All That Falls Apart?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is All That Falls Apart good for peak time?
With energy 45 out of 100 at 108 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 108 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More downtempo
More from HAAi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
