All the Things We Had - Extended Mix
30s preview
- BPM
- 115
- Open Key
- 4m
- Energy
- 47/100
- Pop
- 4/100
- Length
- 4:42
- Released
- 2023
- Album
- All the Things We Had
- Genre
- Progressive House
- Loudness
- -12.0 dB
- Dynamics
- 11.4 dB
- ISRC
- CH3132317661
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All the Things We Hadoriginal11A · 115
Against the original (11A at 115 BPM), this version holds the same tempo in the same key.
All the Things We Had - Extended Mix: mid-tempo progressive house, F♯ minor (11A), 115 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Calmer than 99% of Sons Of Maria's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 87% of Sons Of Maria's catalogue
- Tempo:
- slower than 81% of Sons Of Maria's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is All the Things We Had - Extended Mix in?
All the Things We Had - Extended Mix by Sons Of Maria is in F♯ minor, or 11A on the Camelot wheel.
What BPM is All the Things We Had - Extended Mix?
All the Things We Had - Extended Mix runs at 115 BPM, a mid-tempo track.
What mixes well with All the Things We Had - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is All the Things We Had - Extended Mix good for peak time?
With energy 47 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 115 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More progressive house
More from Sons Of Maria
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
